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To be or not to be, that is the question; Whether 'tis nobler in the mind to suffer. The slings and arrows of outrageous fortune, or to take arms against a sea of troubles. And by opposing, end them. To die, to sleep; No more; And by a sleep to say we end. The heart-ache and the thousand natural shocks. That flesh is heir to — 'tis a consummation. Devoutly to be wish'd. To die, to sleep; To sleep, perchance to dream. Ay, there's the rub. For in that sleep of death what dreams may come. When we have shuffled off this mortal coil, must give us pause. There's the respect. That makes calamity of so long life. For who would bear the whips and scorns of time. Th'oppressor's wrong, the proud man's contumely. The pangs of despised love, the law's delay. The insolence of office, and the spurns. That patient merit of th'unworthy takes. When he himself might his quietus make, with a bare bodkin? Who would fardels bear, to grunt and sweat under a weary life. But that the dread of something after death. The undiscovered country from whose bourn. No traveller returns, puzzles the will. And makes us rather bear those ills we have. Than fly to others that we know not of? Thus conscience doth make cowards of us all. And thus the native hue of resolution is sicklied o'er with the pale cast of thought. And enterprises of great pith and moment. With this regard their currents turn awry, and lose the name of action.

by William Shakespeare in Hamlet

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與時下熱映電影同步有嚴重Lag的我,總算把這部驚天動地的蝙蝠俠前傳2”The Dark Knight”給看完了。我想我會逢人就推薦這部電影,不管是劇情、特效、剪接、演員的表現上,這部電影給我無比的滿足,也同時給了我無比失落的心情。導演Norlan把美式卡通英雄電影帶進完全不同的領域,以更恢宏的深度來闡述正義、邪惡、信念以及希望。劇本打破一貫正邪黑白對立的窠臼,將劇中角色屬性套入不一樣的分類法則,引領觀眾正視重新思考人性善惡的秘密。

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標題的偈語,是剛辭世不久、聖嚴法師遺言中的末後說偈。佛教禪宗的精神,在於追求般若智慧的無上終極真理,以”覺”(有悟性的感知),遍閱虛空,捨一切名相。佛教認為這世上一切東西的價值是人的意識作祟所產生,名相指的即是一切可名之為物的東西,加上”相”這個字尾則強調其終究為虛、以及”本非”的特質。佛教所說的”空”並不是字面上空空如也的”空”,反而是一種”窮盡”的意涵,訴諸真智慧來穿透眼睛放眼望去的所有名相,了解其虛妄的本質。在金剛經的四字偈裡有這麼一段很美的敘述讓人去體會:

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